Call me Dev, and use they/them pronouns, please and thank you. This is my personal, so yeah. I track the tag aknightofvoid. If you need me to tag any triggers, i will, using this: tw trigger. The icon belongs to mintstriders.tumblr.com, and the top mobile thing goes to gaulllimaufry.tumblr.com.

lancecharleson:

joeywaggoner:

squigglydigg:

smokingladiesman submitted:

Disney’s tribute to Robin Williams at the end of Aladdin. 

That’s… actually really beautiful.  Well done, Disney.

I actually watched Aladdin on Disney Channel a few days ago and not only did they show this image at the end of the film but they showed the entire movie completely commercial free. That’s how much they appreciated him.
Well done Disney, well done.

Now that’s some grade A respect from Disney right there.

lancecharleson:

joeywaggoner:

squigglydigg:

 submitted:

Disney’s tribute to Robin Williams at the end of Aladdin. 

That’s… actually really beautiful.  Well done, Disney.

I actually watched Aladdin on Disney Channel a few days ago and not only did they show this image at the end of the film but they showed the entire movie completely commercial free. That’s how much they appreciated him.

Well done Disney, well done.

Now that’s some grade A respect from Disney right there.

zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king